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Veranda published a gallery of 15 small entryways designed to make a strong first impression, drawing on examples from homes in Manhattan, Maine, Palm Beach and elsewhere. The report showcases design choices including patterned wallpaper, vivid paint, murals and carefully selected furnishings; it does not provide measurements, costs or performance comparisons.
Veranda has published a gallery of 15 small entryways, featuring design projects that use wallpaper, saturated color, art and compact furnishings to give entrances a distinct character. The examples span private homes and apartments, from a Lake Michigan inn to a Manhattan residence, and show how designers treat the entry as an introduction to the rooms beyond.
The projects take different approaches to limited space. In a 1930 Nashville home, designer Richard Hallberg paired Japanese rice-paper wallcovering with a gesso-and-wood target above an ornate Italian console. At a Park Avenue apartment, designer Nick Olsen used a royal-blue leather-clad door and geometric flooring in a narrow hall, adding faux wall panels made with marbleized paper and fine painted lines.
Several examples make the walls or ceiling the main feature. Mark D. Sikes used brown ikat wallcovering in a 1930s Illinois Colonial, while designer Marea Clark covered the ceiling of a San Francisco Craftsman entry with striped wallpaper. In a coastal Maine Colonial Revival, designer Matthew Carter chose a bold, Matisse-like wallpaper by Albert Hadley.
Other entries rely on strong color or imagery. A Dallas penthouse foyer by Cathy Kincaid combines green lacquered walls with 19th-century chinoiserie panels; a Palm Beach cabana entrance features a hand-painted mural of South Florida plants and animals. The gallery also includes a cobalt-blue foyer with gold detailing and an island-inspired palette of citrine, teal and blue in a Martha’s Vineyard house.
Design Choices That Define an Entrance
The gallery’s central takeaway is that a compact entry does not have to be visually anonymous. Across the 15 examples, designers give a small threshold a clear point of view through one or two strong visual choices—a patterned surface, a distinctive floor, a piece of art or a carefully chosen table—rather than relying on a large footprint.
That matters to readers planning a home update because the entrance is both a working passage and a first view of the interior. The projects suggest possibilities for different styles, from restrained rice-paper texture to vivid animal-print wallpaper. They are examples, not a test of which ideas work best: the source does not report budgets, dimensions, maintenance needs or homeowner feedback.
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Fifteen Homes, Different Design Approaches
The source is a Veranda design gallery, not a report on a new product, building rule or industry study. Its 15 featured projects include historic houses, apartments and a small cabana, with designers adapting entrances to each home’s architecture and broader decorating scheme.
Some examples connect the entry to local or architectural references. Hallberg’s Nashville project pairs rice-paper wallcovering with a bluestone porch; the Palm Beach mural depicts regional flora and fauna; and the Maine entry uses a wallpaper design the magazine describes as a reference to Albert Hadley and the nearby decorator Sister Parish. Other projects establish continuity with interiors through color and pattern, including a Lake Michigan inn where the entry previews the energetic palette beyond.
“a bit of whimsy”
— Designer Marea Clark, as quoted in Veranda
Practical Details the Gallery Leaves Out
The source does not give room dimensions, project costs or product availability, and it does not identify which designs are suited to particular budgets or levels of natural light. It also offers no comparative evidence that one treatment makes an entry feel larger or works better than another.
The gallery is selective: it presents styled examples and brief project descriptions, not a full account of each renovation. Readers cannot tell from the article alone how much construction was required, how the finishes hold up to daily use, or whether the installations can be adapted to a specific home.
Applying the Ideas at Home
Veranda’s report does not announce a follow-up study or a next publication milestone. For readers considering a similar update, the next step is to assess the entry’s existing layout, light, circulation and storage needs, then decide whether a surface treatment, lighting change, artwork or furniture would fit without obstructing the passage.
Before choosing materials, homeowners would need to confirm availability and suitability for the space, especially where an entrance receives heavy traffic or exposure to outdoor conditions. The examples provide visual references; project-specific costs and installation requirements remain to be established.
Key Questions
What is the news?
Veranda published a gallery of 15 small entryways, showing design projects that use color, pattern, artwork and furnishings to make compact entrances distinctive.
What design ideas appear in the examples?
The gallery includes patterned wallpaper, painted murals, colorful walls, geometric floors and distinctive ceilings, alongside selected consoles, tables and other furnishings.
Does the article say these designs make small spaces larger?
No. It presents the projects as examples of striking entryway design, but does not offer measurements or evidence that any treatment makes a room feel or function larger.
Does Veranda provide prices or product details?
The source includes some named materials and designers, but does not provide a consistent budget, full product list or installation guide for all 15 projects.
Source: veranda.com
